Stefania Gubbiotti: "Vibration"

It’s a relative imaginary of infinity that feed vibration of Stefania Gubbiotti charming works.
It isn’t only a beautiful exhibition but it’s also important because, beyound the technical balance of this young artist, for me, it seems, that she evidence her original creativity in a view of visive arts that register, froma side, a worse painting of doubt pleasure post-impressionist, and from the other side, the fashionable persistence of video hypnosis and of deceptive suggestion installationist, wich phenomenology of an expressive autism.

Instead, we ade, in front of a brave and happness recover’s work of a painting-painting far from every sentimental indulgence and togheter, from every sterile and cold experimentalist. Here, the report from sign and matter, that is form that search form is governed from composite severity that express more effective the plastic return of emotional tension, scanning from a strong chromatic-sinergy at the spatial acts, where is expression.

In this sense, i’ve said, beginning of this reflections, of a relative imaginary of infinity that characterize Gubbiotti Stefania’s pictures, all playing inside an dilated temporal space that feed the iconographic establishment.

The infinity space and the since time of human existence, search and found a co-existence dialectic, dialogue with the shape’s dinamism they asked with peremptory request to a cosmic “rendez-vous” Gubbiotti pictures, on the one hand, have a strong visual impact, so attack the apparatus of sensitive perception, on the other hand compel to a reflection, asking us like and why of crisis that marks drammatically this historical and human time.

Sense and reason are questioning from this painting that, it’s live and disturbing from a positive energy, mother of life balance and protential unchained of destinctive force, where born vibration of volumes light and colour, from order and chaos from eros and thanatos.

This painting takes forms and reasons in a sideral amniotic fluid that nurture end and glowing sphere of light, that, like meteor and asteroid, crossing the density space to paraphrase a journey from microcosmo to macrocosmo; it’s so that Stefania Gubbiotti tell us her necessary and difficult conversation from i and oneself from short and heavy breath of doubt and wind of hope tight to the capture of truth tatter to understandine and living.

In conclusion, is like if Stefania feel that the safety, herself conscience, has like “conditio sine qua non”. The desertation, the liberation of life-giving pressed inside, from umiliation of evil banality, that besiege the existential condition of all and every and this energy doing a pictorial magma that blow in a chromatic frenzy that contaminate the dynamism of space form until to invoke their escape from perimeter of painted area this is an irresisteble imput to an emotional involve who looking are, a pressing invitation of the artist to take part in an adventurous travel in unexplorer areas of incredible creativity to research on real truth and a reality more real of those that are offers from our unliving daily. I want to tell that the pictorial universe of Stefania Gubbiotti, risk with the alternative dimension to search a real truth necessary for an aware existential condition, more that the oneiric dimension, that is sign that invoice and allude to dream.

The sight construction find solid foundation on two bearing elements of iconographic structure. The first element is the continuous of a centripetal source where is originate the energy stream, that some times, doing white hot matter or clotting in a rotating system sphere, sometimes, screew down in a whirl that swallow the giddiness movement in a black hole that block imagine in the hanging time.
The second element is formed from a grid of signs, of ten whit an explicit vision and other time no, like a placenta when protect and defend the organizing plan of volumes and shapes, guaranted the composi balance.
About the chromatic arrayh in first time is in evidence his “medium” function between meaning and significance, in the sense to be a decisive component of fusion to essence and vision that in this picture product form.
In second place for the capacity of scanning inside the composition, the rhitm and the time of speed, wich “logo” of contemporanity, catching the mean of “feels intensity” throw away the accepted deceptive of “to do speed”.

And now the colours protagonist determined without shading; white is rare, like empty and absence, but it’s also strongly present like split light that cut and cross, blind and hart; bright red, green and prussian blue come across in a dynamic pulsion from rock rithm that suddenly search and found spaces of silence, reflections pauses, enclaves of luminous renouncing at the lighting pastel of pink and light blue.

Why this pause” why this visible and invisible line? why that space more infinity to snub the perspective depth? why the vital energy so presents and the voluntary exile of human form? I told you that this painting is asking, tangling and unearsying. Maybe, itěs here that stay her convinced and convincing force and beauty creative in this report adding up from life and art that make vision-visionary that tell us with her vibration beyond the noise of appearance. I risk a forecast. We will hear good and again of Stefania Gubbiotti because in this time an authentic and brave artist it’s rare goods.

Rome, march 2007, Italo Evangelisti

Stefania Gubbiotti was born in Rome, but she lives in Umbria. She has started her career like stylist. She express her pictorial creativity from 1990; she realize work of art with many technics and materials. At presen she show her real pictorial identity in the abstraction. She take parts in many shouws in Italy and in foreign country. She obtain merits and important recognitions.